Monthly Archives: August 2014

How Did a Math Major Write a Fantasy Novel?

Jax

Moreover, how did she get published?

Keep in mind that I majored in math for two reasons. The first was it was fun. It’s okay…I’ll wait for you to stop laughing. Really. I’m serious. I enjoyed it. I’m a puzzle person, and most mathematics is solving puzzles, which appealed to me.

But I confess that a part of me majored in math because it wasn’t English. It didn’t involve English. To get my degree I needed little more than English 101 to graduate, and that sounded like a good deal. In fact, I put it off until my senior year—yes, I hated English that much. The whole “writing papers” thing…what a wasted of time! And the reading! Bah!

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Interestingly, there was this other part of me, however, that daydreamed. A lot. A lot, a lot. I’ve been guilty of that since I was knee-high to a grass hopper. Music, TV, movies, all of these generated a constant stream of playmates, friends, and distractions. As I got older, these “phantoms” had adventures.

I decided to write these down.

Oh, they were horrible! I really needed to learn how to write. Yes, I could see these people and write what they did and said, but reading it was more like a description of animated robots. The writing was lifeless, colorless, and cumbersome.

Wow. I should have taken more English.

Leasspell Review: The Dead Man’s Deal By Jax Daniels

What’s the Deal with The Dead Man’s Deal?
A Review by Laura of Lurking

DMD

AVAILABLE ON AMAZON

Strong language: None
Drugs: None
Violence: Yes, mainly arena battles
Sexual content: None

four stars

I received a final copy of this novel for free in return for an unbiased review. As a disclaimer, I am also in the same writing group as the author and have watched the book progress, but I have not allowed that to cloud my judgement.

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Winki Witherspoon is a widow of six months who has given up on life. When we meet her she is a wreck, dispirited, disengaged, and withering away to nothing both physically and emotionally. She is contacted by her husband Will’s lawyer, who insists as a part of Will’s will, he has to take her somewhere. Soon she pulls up at the  dilapidated Gateway Manor with its kooky staff and a horde of secrets, starting with the double life her husband’s been leading in the hidden underworld of New Orleans. Her new life has been handed to her, whether she likes it or not.

The novel is written in first person through the eyes of Winki. She has a great voice, revealing the emotion, whether depression, shock, anger, or that flash of excitement, with ease. The story has a fine mix of sarcasm and dry humour, such as “Oh yeah, just mocked by a roach.” I felt in the early chapters she jumped between emotions too often, fleeing the house or diving into shouting matches as her self-preservation method. This smoothed out as the book got going though, remaining just enough for comic relief, but allowing the plot to progress.

The secondary characters, many of whom have nicknames such as Jeeves, Mrs. Black, and Mrs. White are all well developed and get their moments in the spotlight. Having all known Will since he was a child, they all add emotional enrichment, plot twists, and deepen the discovery of the hidden world under Winki’s nose. My favourite character had to be Hercule, the talking cockroach that despite any reservations about the species had our entire writers group enamoured with him. He often acts as a buffer or defence for Winki when too much information or too many instructions are being thrown around, explaining things simply, even when she is less than happy to share the room with him!

Interview with an Artist Q6: Revisions

Questions 6

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As if worrying about revisions in my novel weren’t enough… INKYGIRL.COM. Daily diversions for writers.

I was a little uncomfortable with the revision process, for I wasn’t sure if my critique would be viewed as criticism or if I were pushing the limits with the number of revisions (one a month for six months).  Liiga was very patient, but that didn’t mean I wasn’t pushing it. So I asked.

Question 6. On average, how many times does a client usually get a proof and reply with corrections?

It’s hard to estimate an average for number of times that corrections are requested because it varies wildly depending on the client and the type of image. Character portraits will usually see more adjustments, seeing as capturing someone’s likeness from a description always involves some amount of guesswork. Also, not everyone has a strong visual of what their character’s appearance might be like. On occasion that leads to more revisions due to trying to find just the right look, while other times it means more freedom of interpretation regarding what appearance works.